Various Artists “Lost Deep Soul Treasures Vol 3” (SOS 1003) by Pete Nickols Ben Wiggins ~ I Love You So Much ~ Almeria 4003; Johnny Robinson ~ Don’t Take It So Hard ~ Epic 10557; Bobby Sheen ~ Love Stealing ~ Chelsea 3034; Donald Height ~ If I Can ~ Jubilee 5696; Inez Foxx ~ Talk With Me ~ Symbol 924; Urel Thomas ~ Pain Is The Name Of Your Game ~ Uni 55017; Lorraine Randolph ~ It’s Over Between Us ~ Gemini 30.006; O.V. Wright ~ To You I Shall Cling ~ Home Cooking LP HCS-110; Don Thomas ~ Please Come Back Home ~ Cal State Music 3202; Chet Davenport ~ What Would I Do ~ Toe Holt 89 & King Bee 4002; Tommy Louis ~ I’ve Been Crying ~ unissued on vinyl, first issue AVI/Diablo CD 1001; George Jackson ~ I Don’t Understand ~ Jap. P-Vine LP PLP-343; Sam & Dave ~ Living It Down ~ UK Atlantic/Contempo LP CLP 606; Reuben Bell ~ Asking For The Truth ~ Alarm 107; Jim Coleman ~ Cloudy Days ~ Sir Rah 502; Kim Tolliver ~ Standing Room Only ~ Pathfinder 101; Bobby Taylor ~ It’s Funny ~ Ka Jo 2201; Joe Hughes ~ Where There’s A Will ~ Sound Stage 7 2571; Benny Johnson ~ Give It Up ~ Today 1527; Delilah ~ Packin’ Up ~ Shirley 116; Pete Cooke ~ I Won’t Cry ~ Dimension 1037; Mary Holmes ~ After I Shed A Tear ~ Nassau 100; King Diamond ~ That’s All She Wrote ~ Power House 1009; Clarence Ashe ~ Only Time Will Tell ~ J&S 1178. After the very high standard of most of the tracks on Volume 2 in this series, this next Volume clearly had to try to live up to its predecessor. Whilst there were highpoints, frankly it didn’t quite succeed. ‘Quiet poignancy’ is how Sir Shambling accurately describes Ben Wiggins’ vocal on his fairly lay-back opener (see ); while you can also enjoy – and I’m sure you will - Johnny (not Jimmy as on the CD) Robinson’s terrific Memphis-cut deep winner at Track 2. It’s a sweet-soul rather than deep-soul sound that we get from Bobby Sheen’s Chelsea side, which you can also find on his anthology on AceCDCHD125 or on his Soulscape collection on SSCD 7025.

Dave Godin's Deep Soul Treasures - Taken From The Vaults. How Was I To Know You Cared - Doris Duke 02. I'm Not Gonna Give Up - Eddie Holman 03. The Sweeter He Is (Parts 1 & 2) - Soul Children 04. I Don't Want Nobody But My Baby - Tony Owens 05. It Was A Lie - Bobby Moore 06. A Love That Never Grows Cold - Jimmy & Louise Tig And. Native Instruments is a leading manufacturer of software and hardware for computer-based audio production and DJing. The company's mission is to develop innovative, fully-integrated solutions for all musical styles and professions. The resulting products regularly push technological boundaries and open up new creative horizons for professionals and amateurs alike.

The musical backdrop to Donald Height’s piece is rather understated but Height’s vocal is excellent with some good dramatic passages included. “Talk With Me” (and not “To” me as per the CD) by Inez Foxx is pleasant enough without being outstanding – most of the real vocal drama comes in her extended mid-track rap. Urel Thomas’ ominous-sounding vocal and his powerful finale both help his Uni side attain genuine ‘top-drawer’ deep status; while Lorraine Randolph’s stunningly expressive Gemini track can be heard. O.V Wright’s offering is a track which first surfaced on Roy Ames’ Home Cooking label. He’s sung greater songs but the hugely-talented Wright’s vocal is up to its usual impeccable standard.

Trillian vst torrent. Don Thomas’ deep baritone handles his gently lilting piece of countryish soul well enough in a style reminiscent at times of Joe Simon. However, even better is Chet Davenport’s offering – it’s a quiet but very involving piece with a really pleading emotional vocal (and rap), plus an appropriately much more dramatic climax – this one brings to mind some of Roy C’s best storyline material. Tommy Louis is really blues-singer/harp-blower and sometime Little Richard style rocker Kid Thomas, who first cut blues for Federal way back in 1957. His rock ‘n roll days were with TRC in 1960, while he cut some soul for Muriel in 1965 and Cenco in 1969; however, the track featured here (a rather atmospheric ‘moaned’ piece of gruff, bluesy deep-soul) did not appear until the 1993 Avi/Diablo CD “Wail Baby Wail”. The hugely-talented singer-songwriter George Jackson (see ) has recently been getting lots of CD exposure but this simple one-or-two-piano-chord-backed ‘soulful complaint’ by George is from his early days, as evidenced by its first appearance on a 1987 Japanese LP called “Early Memphis Sounds”.